'Prejudice in The Hurricane and Knife\'s Edge'

'In its simplest form, we debate of prejudice in terms of race, culture, or religion. However, the word, prejudice has a much deeper moment and preponderance in the world. Prejudice, a preconceive opinion that is not based on reason, or demonstrable experience means, pre-judgement. doneout the twenty-first century, the prevalence of more glaring forms of prejudice check diminished, and more pernicious forms yield taken its place. Prejudice itself is snarly and hard to resolve, scarce a unnumbered books, short stories, movies, articles, and websites drop been dedicated to facelift aw areness of divers(a) types of prejudice, and how it can be dealt with. The Hurricane, by Norman Jewison, and, Knifes Edge, by Malorie Blackman, are 2 examples of texts associated with negative topics.\nThroughout, The Hurricane, Jewison manipulations simple techniques in complex context, in order to declare the underlying message. Non-diegetic live on plays a immense part in the film, w ith it being apply to add ascendancy to scenes. Jewison uses live footage, and objection songs to connect with the hearing, and indorse the overall haughtiness that the film holds. The distinguish use of non-diegetic articulate can be seen in the death penalty of shilling Dylans song, The Hurricane, that was written at the quantify of the incident. The speech utilise in Bob Dylans song, is very(prenominal) emotive and blunt. An unimpeachable man in a backup hell, When a thieve pulled him...Just like the m before and the clock before that, the use of emotive language in the song, makes the audience plea for Rubins innocence, and take his expression throughout the movie. The overall aim of Jewison, through the implementation of diegetic sound, is to declare a nitty-gritty that would not have been present practiced in the visuals of the film.\nUnlike, The Hurricane, Malorie Blackmans, Knifes Edge, is a touch more sinister and insidious. Its inglorious light sh ines upon the affectionate meaning of prejudice. The opposite ... '